{"id":6401,"date":"2016-01-18T14:30:40","date_gmt":"2016-01-18T19:30:40","guid":{"rendered":"http:\/\/www.chinesepen.org\/english\/?p=6401"},"modified":"2016-01-19T14:42:55","modified_gmt":"2016-01-19T19:42:55","slug":"a-look-at-mr-six","status":"publish","type":"post","link":"https:\/\/www.chinesepen.org\/english\/a-look-at-mr-six","title":{"rendered":"A Look at \u201cMr. Six\u201d"},"content":{"rendered":"<div id=\"attachment_6402\" style=\"width: 490px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.chinesepen.org\/english\/files\/2016\/01\/Guan-Hu.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-6402\" class=\"wp-image-6402\" src=\"http:\/\/www.chinesepen.org\/english\/files\/2016\/01\/Guan-Hu.png\" alt=\"Guan Hu\" width=\"480\" height=\"230\" \/><\/a><p id=\"caption-attachment-6402\" class=\"wp-caption-text\">Guan Hu, director of \u201cMr. Six.\u201d Image via Youtube user: Yitiao Video \u4e00\u6761\u89c6\u9891,<\/p><\/div>\n<p><strong>Guan Hu\u2019s newest movie resonates with the Cultural Revolution generation, but the film has one fatal flaw.<\/strong><!--more--><\/p>\n<p>As the new year of 2016 begins and we look back the past months of 2015, we see our world was not a peaceful place. Economic and environmental crises lingered in Europe and Asia. Violence was everywhere, killing, torture, terror attacks, war and floods of refugees were emerging in our daily lives. In China, man-made catastrophes came one after the other: the sinking Oriental Star river cruise on Yangzi River in Hubei Province on June 1 caused 442 deaths; the series of explosions at Tianjin Port took 173 lives and caused numerous injuries; the landslide of construction waste in Shenzhen on December 20, lead to high casualties. Parallel to the calamities was the notorious \u201chuman rights black hole,\u201d which devoured dissidents and hundreds of lawyers. The summer assault to over 300 hundred human rights lawyers had not yet come to an end, and there are still several of them on the missing list.<\/p>\n<p>At the same time, the civil awakening is amazing in China. The movement of defending the civil rights of the common people can be traced back to 2000. The issues are widened from personal property and housing rights, to environmental damages through the industry, freedom of speech and freedom of religion. The recent trial of Pu Zhiqiang, the civil rights lawyer, had a surprisingly mild result thanks to international intervention and the supporting protest masses. He received a three-year suspended prison sentence for his alleged crime of \u201cinciting ethnic hatred,\u201d not to forget that he was already 18 months behind the bar since the arrest in 2014. Under the same international pressure, the Beijing government has released the imprisoned journalist Gao Yu for medical parole and cut her sentence from seven to five years. These two cases show that the Xi-administration cannot ignore the public opinion from inside and outside of China.<\/p>\n<p>While the power struggle is still in the spotlight \u2014 Xi\u2019s fight against the remaining influences of his predecessor Jiang Zemin and his forces in the army is taking up most of his energy \u2014 he does not forget to conciliates his subjects with the entertaining film, Mr. Six. The film is a nostalgic drama about a middle aged street punk \u201clao pao er\u201d (old canon, Beijing dialect, meaning \u201caged kingpin\u201d), also called \u201cMr. Six.\u201d The protagonist falls into a troublesome situation: his son was kidnapped by a group of rich street gangsters because he flirted with their girl. Mr. Six, showing as a man with spunk and a sense of justice, dared to resist to the local police pressure, and tried hard to rescue his son by borrowing money to pay the ransom. He did not inform the police as asked, he was a man who kept his promise.<\/p>\n<p>Mr. Six reminds the audience of another popular writer of the 90s: Wang Shuo. Wang, born in 1958, grew up in living compounds of high cadres in Beijing. His parents were sent to the countryside during the Cultural Revolution. Wang got his \u201ceducation\u201d in the street and learned survival technique from the other quasi-parentless youngsters. Later, he became a writer and created his hooligan style of writing, which reflects the chaotic social order in China in the late Mao-era. Like the sinologist Geremie Barme said, Wang Shuo was a product of the \u201cliumang (hooligan) culture,\u201d so it is very natural that his stereotypical protagonists, such as Baokang in Masters of Mischief (Wanzhu, 1987) Fang Yan in Playing for Thrills (Wanr jiushi xintiao 1989) are also the products of this \u201csardonic popular culture.\u201d \u201cIt is a literature of escape and sublimation.\u201d<\/p>\n<p>Wang Shuo\u2019s cool, sarcastic \u201cliving history and language\u201d has attracted millions in the Cultural Revolution generation, many of whom missed the normal family lives and regular school education during their adolescence because of Mao\u2019s political experiment. People identify with the street hustlers; those scum and good-for-nothing youth are heroes in his novel.<\/p>\n<p>Wang Shuo\u2019s novels were popular in the 1990s, but now the times have changed. The street punks have disappeared in Beijing\u2019s hutong (alleys). Instead, the spoiled \u201csecond generation of the rich\u201d have emerged in modern society. The 30-something screenwriter, Dong Runnian, created an antique hooligan Mr. Six to confront the rich youngsters who drag race with Ferraris and look down upon the poor and old. There is no doubt that the sympathy is on the side of old Mr. Six. Even the young leader was somehow moved by the pig-headed oldie.<\/p>\n<p>The film was first shown at the 72nd Venice International Film Festival and released on December 24, 2015 in China. It seems that the old guy Six could touch the emotions of young and old. Within a short time, there have been many discussions and reviews about the film online. A nostalgic and sentimental atmosphere spread, yet the film has a fatal flaw: Mr. Six hands the document of his opponent\u2019s banking to the Central Commission for Discipline Inspection, the highest control mechanism of the CCP. With this act, the film knelt down to the Party Lord, and escaped censorship. This is an unspoken rule in China, and the famous online term \u201cni dong de\u201d (you know, meaning there is no need to explain certain circumstances) can sum up the whole complex psychological and political phenomenon.<\/p>\n<p>Source: <span style=\"color: #0000ff;\"><a href=\"http:\/\/www.sampsoniaway.org\/fearless-ink\/2016\/01\/12\/a-look-at-mr-six\/\" target=\"_blank\"><span style=\"color: #0000ff;\">http:\/\/www.sampsoniaway.org\/fearless-ink\/2016\/01\/12\/a-look-at-mr-six\/<\/span><\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Guan Hu\u2019s newest movie resonates with th &hellip; <a href=\"https:\/\/www.chinesepen.org\/english\/a-look-at-mr-six\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":6402,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[232,35,91],"tags":[371,1478,1479,1480,114],"views":5925,"_links":{"self":[{"href":"https:\/\/www.chinesepen.org\/english\/wp-json\/wp\/v2\/posts\/6401"}],"collection":[{"href":"https:\/\/www.chinesepen.org\/english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.chinesepen.org\/english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.chinesepen.org\/english\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.chinesepen.org\/english\/wp-json\/wp\/v2\/comments?post=6401"}],"version-history":[{"count":3,"href":"https:\/\/www.chinesepen.org\/english\/wp-json\/wp\/v2\/posts\/6401\/revisions"}],"predecessor-version":[{"id":6405,"href":"https:\/\/www.chinesepen.org\/english\/wp-json\/wp\/v2\/posts\/6401\/revisions\/6405"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.chinesepen.org\/english\/wp-json\/wp\/v2\/media\/6402"}],"wp:attachment":[{"href":"https:\/\/www.chinesepen.org\/english\/wp-json\/wp\/v2\/media?parent=6401"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.chinesepen.org\/english\/wp-json\/wp\/v2\/categories?post=6401"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.chinesepen.org\/english\/wp-json\/wp\/v2\/tags?post=6401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}