Category Archives: Culture

Taiwan Filmmaker Chang Jung-chi on ‘Partners in Crime’

BzO65FDIMAM-NBCTaiwanese filmmaker Chang Jung-chi Joyu Wang/The Wall Street Journal
Taiwanese filmmaker Chang Jung-chi established himself with his Continue reading

Chinese Researcher: ‘Hostile Western Forces’ Behind Great Leap Death Tolls

 

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Anger at a government think tank’s attempt to gloss over history erupts on Chinese social media. Continue reading

Ai Weiwei’s Songs of Freedom on Alcatraz

by Whitney Phaneuf on September 25, 2014

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A view of Ai Weiwei’s large “Trace” (2014) on Alcatraz (all photos by the author for Hyperallergic unless otherwise noted) Continue reading

Tienchi Martin-Liao:A Nobel Prize for the Party’s Darling

October 24, 2012

What Mo Yan’s award means to China

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Nobel Laureate Mo Yan

Mo Yan in Hamburg, Continue reading

Tienchi Martin-Liao: Chat Corner: Hyde Park, Chinese style

February 13, 2013

 

If the government does not offer a space for free expression, the people will make one.
Continue reading

WU YOURU: THE “FIRST” CHINESE CARTOONIST

Posted on August 28, 2014 by necksbetrim

 

Firsts are always controversial. If the first Chinese cartoonist was the student of another, earlier cartoonist or proto-cartoonist, Continue reading

Internationales Literatur Festival ‘ Berlin

10.09.-20.09.14

Aug 14, 2014
Program of 14th ilb published!

Aug 12, 2014
Program booklet of the festival section “International Children´s and Young Adult Continue reading

Healthy Words-Science Fiction from China

LEC ASH 08.26.14

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Chongqing Publishing Group

In 1902, Lu Xun translated Jules Verne’s !–more–>From the Earth to the Moon into Chinese from the Japanese edition. Science fiction, he wrote in the preface, was “as rare as unicorn horns, which shows in a way the intellectual poverty of our time.” Not any more. The Three-Body Trilogy by Liu Cixin has sold 500,000 copies in China since the first volume was published in 2006 (it will come out in English in the autumn). Liu, an engineer, is one of the so-called “three generals” of contemporary Chinese science fiction, along with Wang Jinkang and Han Song.

“Sci fi,” Han says, “can express a lot that can’t be expressed in other literature.” His most recent collection of stories, High Speed Rail, begins with a train crash that recalls the politically sensitive rail collision in Wenzhou in July 2011. In an earlier novella, Taiwan Drifts, Taiwan has broken free from its moorings and is on a literal collision course with the mainland. Unsurprisingly, much of Han’s work isn’t published in the People’s Republic.

Nor is The Fat Years (2009) by Chan Koonchung. Set in 2013, it depicts an “age of Chinese ascendancy” following a massive global financial crash. But the month-long crackdown that launched the golden era is missing from the population’s collective memory, and the water supply is probably spiked with a drug to keep everyone mildly euphoric. “The people fear chaos more than they fear dictatorship,” a high-ranking Party official says.

 

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